Friday, May 17, 2013

Natasha, Pierre & the Great Comet of 1812

Dave Malloy and Rachel Chavkin's musical remains enchanting in its new home. Go go go. My review's here.

Colin Quinn Unconstitutional

Amazing what a change of venue can do. I didn't care for Colin Quinn's show on Broadway, but in smaller setting the new one is just fine. My review's here.

Wednesday, May 15, 2013

Preview of Showgirls — The Musical

Amazing that it took almost 20 years to see an unauthorized musical version of Showgirls. And now it's coming…to a gay club near us. Click here for my preview.

Tuesday, May 14, 2013

City Council Meeting

As a fan of local democracy, I was looking forward to City Council Meeting. At least the show fails out of too much ambition, instead of not enough of it. My review's here.

Monday, May 13, 2013

A Family for All Occasions

Philip Seymour Hoffman directs Bob Glaudini's latest at the Bank Street Theater. Click here for my review.

A Public Reading of an Unproduced Screenplay About the Death of Walt Disney

In Lucas Hnath's new play, A Public Reading of an Unproduced Screenplay About the Death of Walt Disney, at Soho Rep, Disney sounds like a combo of Yoda and Gertrude Stein — the better to eat you with. Click here for my review.

Friday, May 10, 2013

Bunty Berman Presents…

A great idea for a musical — backstage on a Bollywood set in the 1950s — that could have used some trimming: That's Bunty Berman Presents…, brought to us by the New Group. My review's here.

On Your Toes

Encores! strikes again with Rodgers and Hart's On Your Toes. We all know Christine Baranski's great, so the real revelation was ABT principal Irina Dvorovenko, hilarious as an overly dramatic Russian ballerina. My review's here.

Wednesday, May 08, 2013

Old-Fashioned Prostitutes (A True Romance)

Yet another puzzle from Richard Foreman. I have no idea what was going on, so I split the star rating down the middle: two out of four. It could just as easily have been zero or four. My review's here.

Tuesday, May 07, 2013

Nikolai and the Others

Richard Nelson's latest has a cast of 18 and almost as many ideas and subplots going on. Maybe it would have worked if the show was nine hours rather than two and a half? My review's here.