Friday, October 24, 2014

Disgraced redux

It's not until I saw Hari Dhillon in Disgraced that I fully realized just how good Aasif Mandvi had been in the same role. The new production's a bummer. And not in a good way. My review's here.

Thursday, October 23, 2014


James Dickey's Deliverance doesn't look like it could be turned into a play, but the ingenious production now playing 59E59 proves otherwise. My review.

The Fortress of Solitude

The new musical based on Jonathan Lethem's The Fortress of Solitude is a valiant effort, but some key structural problems get in the way. My review's here.

Tuesday, October 21, 2014

Billy & Ray

Billy & Ray, about Billy Wilder and Raymond Chandler's collaboration on the screenplay for Double Indemnity, pretty much gets everything wrong. Click here for my review.

4:48 Psychosis

One must tread with caution when dealing with Sarah Kane's 4:48 Psychosis -- a play about a suicidal woman written shortly before Kane killed herself. My review of the Polish production at St. Ann's Warehouse is here.

Monday, October 20, 2014

This week's Good Wife posts

First, I chatted with costume designer Dan Lawson about Alicia's evolution from politician's wife to politician. Then I welcomed the return of FBI Agent Lana Delaney (Jill Flint) back to The Good Wife.

The Belle of Amherst

I was pleasantly surprised by The Belle of Amherst, a well-made bioplay starring Joely Richardson. And give me a break about Julie Harris owning the role: I didn't see her, and it was 30 years ago. My review's here.

Friday, October 17, 2014

On the Town

Best thing about the new revival of On the Town: Megan Fairchild as Ivy Smith -- a role that, for some reason, is usually boring. (Second best thing: no Lea DeLaria.) My review's here.

Wednesday, October 15, 2014


Another satisfying off-Broadway musical! Found is completely different from Ghost Quartet yet it also satisfies -- this is a show that does what it sets out to do really well. My review's here.

Tuesday, October 14, 2014

Ghost Quartet

Dave Malloy's new song cycle, Ghost Quartet, doesn't have the satisfying narrative drive of Natasha, Pierre and the Great Comet of 1812, but it's still a wondrous night at the theater. My review's here. At this point, just go see whatever this guy's doing on trust.