

More good stuff from the article for non-francophones:
In the late ’70s, Huppert and Adjani both wanted to star in a film adaptation of Théophile Gaultier's La dame aux camélias (usually known here as Camille). Huppert won that one, but Adjani scored a few years later when she got to do a project they both coveted, the life of Camille Claudel.
Even more deliciously (and that I had totally forgotten about), Huppert starred in Schiller's Maria Stuart in London in 1996—the character Adjani is now playing in Paris, but in Wolfgang Hildsheimer's lesser-known version of Stuart's last moments.
Rouchy also tallies the actresses' Césars (Adjani's four to Huppert's one), respective filmographies (Adjani's 27 movies to Huppert's 76) and media profiles (Adjani's breakup with Jean-Michel Jarre lands her in French celebrity magazines, Huppert gets a retrospective at MoMA and a hardcover book of portraits).
Since of course it's more exciting pick a camp, I unhesitantly join the Huppertists—though it's quite fun to watch Adjani vainly try to fight Time and in the process resemble more and more a porcelain doll.
And that's the end of tonight's Star Watch.
4 comments:
Ca tombe bien, c'est Huppert qu'on va voir. Moi, je ne les aime pas toutes les deux, elles sont aussi bêcheuses l'une que l'autre !
Je n'y peux rien: j'adore Huppert! (What can I say? I love Huppert!)
Okay, I just translated that badly, with help from babelfish:
Ca falls well, it is Huppert which one will see. Me, I do not like them both, they are as bêcheuses one as the other!
I'm no Frenchie, but I'm betting the "b" word is the same one I'm thinking of.
It's more someone who puts on superior airs. Which does indeed apply to both!
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