Let me join the chorus praising Gina Gionfriddo's new play, Becky Shaw, at Second Stage. I can't even remember the last time I laughed so much at the theater, and not once did I feel my intelligence had been insulted. The show is also rather well constructed, though the plot's twists and turns, as satisfying as they are, are almost secondary compared to the fact that all the characters have more than one side, revealing a wealth of new complexities as the play progresses.
Plus let it be said again: Gionfriddo brings on the funny.
I don't know if she got her day job as a writer/producer on Law & Order because her lines are tight and snappy or if it's the L&O gig that's trained her to be tight and snappy, and theatergoers are benefiting. It's a chicken-and-egg situation, though a decision either way may be of interest to those who enroll in playwriting programs. If you're an aspiring author, is it worth getting into debt to get an MFA at Brown or should you send your résumé to Dick Wolfe?
Now the thing with Gionfriddo is that she did go to Brown before landing at L&O. I'd be curious to know how she rates what she learned at both places, and how they affected her playwriting.
Completely unrelated: I realize this blog hasn't gone metal in a while, but I'm listening to the entire Bathory oeuvre for an assignment so get ready for some blackened thoughts very soon.