Trust the Brits to turn a financial scandal into theatrical wizardry. That's exactly what Lucy Prebble and Rupert Goold achieved with Enron, now on Broadway. I never thought I'd understand mark-to-market accounting, let alone find it entertaining.
I'm chief drama critic at the New York Post. Before that, I was arts & entertainment editor at Time Out New York.
Why all the French stuff? I am, indeed, from France, and have been living in America for over 20 years.