I can't say Nathan Englander's debut play is very theatrical -- it's more of a long conversation -- but it's set in a Stalinist prison and that alone goes a long way with me (the Gulag is one of my pet interests). My review's here.
I'm chief drama critic and entertainment writer at the New York Post. Before that, I was arts & entertainment editor at Time Out New York.
Why all the French stuff? I am, indeed, from France, and have been living in America for over 20 years.