Why write a play if you don't have anything pressing to say? That is the question looming over Hamish Linklater's playwriting debut, The Vandal. My review's here.
I'm chief drama critic at the New York Post. Before that, I was arts & entertainment editor at Time Out New York.
Why all the French stuff? I am, indeed, from France, and have been living in America for over 20 years.
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