One of the most fascinating things about Albert Camus' The Stranger is how open it is to interpretation, and to riffs on the story. The latest is The Strangest, a play I just reviewed for the Timeshere.
I'm a Brooklyn-based writer/editor specializing in entertainment and outdoors recreation. Past jobs include drama critic/features writer at the New York Post and arts & entertainment editor at Time Out New York.
Why all the French stuff? I am, indeed, from France, and have been living in America for over 25 years.