You Can Live Forever

A Canadian lesbian coming-of-age film set in the 1990s? Happy to review! Click here for my take on this indie effort.

A conversation about dance on Broadway

I discussed the state of Broadway choreography with the New York Times' Brian Siebert and Jesse Green — which is a lot, but we managed to cover a fair amount of ground. Click here for our thoughts.

Eurovision 2023 coverage

I was back covering the Eurovision Song Contest live with the New York Times team for the third year. What a day: I was on deck from 1:30pm to almost 8pm! Now you can relive the madness with our live blog. Oh, and there was a prep article, too.

Talking about Polite Society

The series We Are Lady Parts turned me into a huge fan of the writer-director Nida Manzoor, so I was delighted to talk to her (again) for her new movie, Polite Society. I also chatted with stars Priya Kansara and Ritu Arya for the article. I love this movie so much! Go see it! 

Link to my Polite Society feature in the New York Times.

Clock

Weird coincidence: I wrote about two Dianna Agron movies in recent weeks. The first was Acidman, which I included in my April sci-fi column, and the second is this one, which leans toward horror. Unless you're an Agron completist, pick Acidman. Link to my review of Clock.

New York, New York

New York: the city so nice, they named it twice. Except in the case of the new Broadway musical, which is not so nice. I got to review it for the Times so thataway if you're curious.

A Tourist's Guide to Love

Rachael Leigh Cook is rom-com nobility and can do so much more than what this movie wrote up for her. My review for the Times is here.

The Pope's Exorcist

I admit I didn't have high expectations going into this movie — a single screening a day before the release is usually not a good sign. Spoiler alert: I was pleasantly surprised. Click here for my review. 

Talking about The Phantom of the Opera

The only thing better than watching The Phantom of the Opera is talking about it, especially with such good company. Click here for our New York Times conversation about Andrew Lloyd Webber's most enduring show. 

Five sci-fi movies for April

The science-fiction column continues at the New York Times, and the April installment leans a little more on the artier side than usual. Well, until we get to The Stratum, of course. Thataway for my selection of streaming obscurities.

Covid Vortex Anxiety Opera Kitty Kaleidoscope Disco

Karen Finley is back and of course I was there, with my reviewer's hat on. Her latest outing, Covid Vortex Anxiety Opera Kitty Kaleidoscope Disco, is very much in her usual vein — which feels entirely refreshing these days. Click here for my review.

Grease: Rise of the Pink Ladies

The origin stories we were waiting for: how did the Pink Ladies from Grease come together? A new series has all the answers, and it was a treat to speak to its creative team and stars about it. Click here for my preview.

Smoking Causes Coughing

Quentin Dupieux's movies tend to be short (this one is 80 minutes) but they pack a lot of insanity. His new one is no different, and features his starriest cast yet — apparently French marquee actors love him, and I can't blame them. My review is here.

According to the Chorus

Like most theater lovers, I have a pretty much unlimited tolerance for backstage stories, and Arlene Hutton's play has some nifty ones. Click here for my review.

Día y Noche

David Anzuelo knows a thing or two about teenagers in love in 1984 Texas: he used to be one. His play about them has some good moments — most thanks to Emma Ramos's terrific performance — but it gets a little shaggy. Thataway for my review.

Up Here

I previewed the new Hulu series Up Here, dreamed up Kristen Anderson-Lopez, Bobby Lopez, Steven Levenson, Thomas Kail and Danielle Sanchez-Witzel (who joked she was the only one in the group who wasn't anywhere near either having an EGOT or getting one some day). Click here if you want to know how it all came together.

Five sci-fi movies to stream in March

The latest installment of my sci-fi column is all over the place — and that's the whole point! Thataway for the streaming suggestions.

Helen Mirren and Lucy Liu had a blast playing gods

I wish I could have been in the same physical room as these two women, who are very different and thus wonderfully complement each other. Zoom had to do. Click here for our chat.

The Trees

Agnes Borinsky's newest, at Playwrights Horizons, starts with an absurdist premise then proceeds to do little with it. The gap between the extraordinary concept and the timidity of the show is rather deep. Thataway for my review.

Becomes a Woman

Very on brand for the Mint Theater, whose mission is to unearth obscure plays: a premiere by Betty Smith, the author of A Tree Grows in Brooklyn. I wish I'd liked the production more. My review is here.

Eva Green and Vincent Cassel in Liaison

I spoke to two of the most internationally minded French actors, who have joined forces for the first time in the Apple TV+ thriller Liaison. Next: Milady and Athos in The Three Musketeers! My story is here.

Alexander Zeldin

The British theatermaker Alexander Zeldin has a lot to say, and he is exploring it in ways that feel both old-fashioned and radical. My story about his new (to NYC, at least) show, LOVE, can be found here.

Christoph Waltz

 What's great about interviewing Christoph Waltz is the way he engages. It's clear he wants to make the conversation interesting for himself so he's testing, challenging. Great fun. Click here for my interview.

Five science-fiction movies to stream in February

My latest column rounds up five under-the-radar sci-fi movies you might want to check out. Yes, I laughed out loud several times during We Are Not Alone. Vicki Pepperdine FTW! Click here for more.

Hari Nef and Parker Posey

Hari Nef plays Sasha (ex-Masha) and Parker Posey plays Irene (ex-Irina Arkadina) in Thomas Bradshaw's adaptation of The Seagull for the New Group. I was invited to watch an hour of rehearsal and ended up staying the afternoon. They are firecrackers who were meant to act together. Click here for their chat.

Without You

I reviewed Anthony Rapp's solo show, Without You, in which he reminisces about two key losses in his life: his mother and Jonathan Larson. Click here for my take on the show. Warning: there's a Rent burn.

Monica Bellucci is Maria Callas

Finally getting enough of a breather to post my last couple of articles. One of them was an interview with Monica Bellucci, who came to New York with her one-woman show about Maria Callas. Thataway for the article — and its great photo.

Some science fiction for January

My latest batch of under-the-radar sci-fi movies is anchored by Jung_E, the latest from the great Yeon Sang-ho. Need I say more? Read on there.

The Immortal Jellyfish Girl

The great puppet company Wakka Wakka is back with a dystopian tale that does not cozy up to its young audiences — and it looks and sounds fantastic. Click here for my review of the show, which is at 59E59 Theaters.

Not About Me

Off to Theater for the New City to review Eduardo Machado's latest play, Not About Me. Because this is from the very autofictional Machado, it is, indeed, about him. Click here for my take.

KLII

Very happy to be part of the Times team covering the Under the Radar festival. My contribution to this particular roundup was Kaneza Schaal's latest, KLII.

The Witcher: Blood Origin

The Witcher: Blood Origin came out last week but obviously it's not too late to read my feature about it. Thataway for the goods.

December's streaming science-fiction movies

My latest sci-fi column of 2022 came out a couple of weeks ago, and here it is. You know the drill: five streaming under-the-radar movies. Go.

Genre movies of the year

As one of the New York Times's four streaming-genre columnists, I submitted my favorite sci-fi movie of the year — David Cronenberg's "Crimes of the Future." Click here for my and my colleagues' picks.

Off Peak

I have been completely derelict in linking to my stories, so here's to catching up as we enter a new year! First off was a review of Brenda Withers's play, which I caught at 59E59 Theaters. 

Dick Rivington and the Cat

Panto is back at Abrons Arts Center and I could not be happier! It was a real treat to check out this adaptation of Dick Whittington and His Cat. Go! My review can be found here.

A Beautiful Noise

Neil Diamond in the house! Or rather Will Swenson as Neil Diamond in a new biographical musical! My review for the Times can be found here.

Ain't No Mo'

I reviewed Jordan E. Cooper's Broadway debut for the Times. Thataway for the article.

How resorts cater to beginner and intermediate skiers

Skiing isn't the easiest sport to learn, especially for adults, so it's been fascinating to watch resorts try to better accommodate beginners and intermediates, with new teaching techniques and new dedicated areas. I wrote about it all for the Times.

John Kelly's Underneath the Skin

I cannot recommend Justin Spring's biography of Samuel Steward, Secret Magician, enough — it's one of my favorite books of the decade, no joke. Now we have a theatrical take on Steward's completely bonkers life thanks to John Kelly. Find my preview of his show Underneath the Skin here.

Holiday movies 2022

Reviewing the holiday movies premiering on the major streaming platforms has become one of my favorite assignments. Click here to see why.

Violent Night

What was really violent was my reaction to this movie — and to the desensitized audience guffawing at the worst bits. My review is here.

More science fiction for November

Closing off November with another batch of streaming science-fiction movies for the New York Times. Natalie Morales for the win! Click here for the roundup.

The Rat Trap

Another review, this time of an obscure Noël Coward play now making its belated New York debut — courtesy of the Mint Theater, obviously. Thataway for the review.

Sandra

I tackled David Cale's new play, which is at the Vineyard, for the New York Times, and I wished I'd liked it more. Although admittedly I'm still thinking about that cray-cray final plot twist! Click here for my review.

The Old Man & The Pool

The Mike Birbiglia saga continues! Is he the funny Karl Ove Knausgård? Click here for my review of his new show at the Vivian Beaumont Theater.

The English

I'd talked to Hugo Blick about The Honorable Woman back in 2014, and it was a pleasure chatting with him again for The English. Add Emily Blunt and Chaske Spencer to the mix and you get one of my favorite shows of the year. Read on here.

Anne Bogart

What a treat to do an exit interview with Anne Bogart as the SITI Company ends its producing activities! Click here for some terrific insights after decades in the theater trenches.

The Divine Miss M

It was an absolute pleasure to dive back into Bette Midler's debut album for Tidal. The Divine Miss M came out 50 years ago and hasn't aged one bit — maybe because it felt "old" to begin with. My piece is here.

KPOP

I loved KPOP when I saw it Off Broadway five years ago — I wish I could have seen it five more times at least. The KPOP that is reopening at Circle in the Square has been largely reimagined, though. Why, and how? Read on.

More streaming science fiction

My science-fiction column is back with another selection of five wildly diverse under-the-radar movies. Thataway for the goods.

Hound Dog

Ars Nova and PlayCo are jointly presenting this play by Melis Aker, which unfortunately I did not care much for. My underwhelmed review can be found here.

Chushingura — 47 Ronin

The least I can say for this show is that there's nothing else like it on NYC stages right now: I salute the attempt to tell this centuries-old story in a theatrical manner! Click here for my review.

Everything's Fine

I wrote about Douglas McGrath's solo show, in which he also stars, for the Times. Thataway for the review.

Interview with Lars Eidinger

I'm on a roll with the great people to interview: After Kate Nash, I met with Lars Eidinger. Definitely not the same vibe and yet kinda — two people who are very good at what they do, and do it in their own idiosyncratic manner. Click here for my story. 

Interview with Kate Nash

Kate Nash is back…with an Off Broadway musical! I got to meet one of my favorite popsters of the past 15 years and it's all there (with fab photos, too).

A chat with Melissa Etheridge and Jill Sobule

Last week I had breakfast with Melissa Etheridge and Jill Sobule. We talked about their new Off Broadway shows, life, music, football. It was great fun. Click here for the convo.

Piggy

I reviewed Carlota Pereda's debut feature, Piggy, for the Times. Spoiler alert: I liked it. Click here for the Critic's Pick.

October's science-fiction column

I'm back with another installment of my column about streaming science-fiction movies. Once again, it's a diverse mix so everybody should find something to their liking. Thataway!

FC Bergman

One of the most intriguing European theater troupes finally makes its American debut: I was delighted to talk to 3/4 of the FC Bergman collective ahead of their show at BAM. Thataway for the story.

Heathers The Musical

I've been a fan of Heathers: The Musical since catching its NY premiere a few years ago, so naturally I was delighted when the Times assigned the review of the capture to me. Click here, fans of 1990s nastiness!

Ghost…at last

I've been dying to write about Ghost for a while, so I want to thank Tidal for letting me have a go at it. Read on for my thoughts on this Satanic party band.

Bonnie Milligan

I wrote about Bonnie Milligan (Princess Pamela 4ever!) for the Times' fall preview. What a treat! Thataway if you want to know more about this terrific performer.

A Kaddish for Bernie Madoff

Over the past 14 years Bernie Madoff has emerged as a major source of inspiration for artists and journalists.  I wrote about Alicia Jo Rabins's hybrid of essay, musical and documentary for the Times. Click here for my review.

September's sci-fi to stream

It's a good thing I can't include series in my monthly sci-fi column for the Times because For All Mankind would be in it every time. Instead, here are five movies new to streaming. Click here for the goods.

Los Otros

I reviewed this musical by Ellen Fitzhugh and Michael John LaChiusa for the New York Times. Mixed feelings, but the score reinforces my argument that LaChiusa is unfairly criticized for not writing melodies. Click here for the review.

NecronomiCon Providence

I had a great, thought-provoking time at NecronomiCon Providence last week, reporting on this festival of the weird for the New York Times. And now you can read about it here. The programming was so rich, I think I could have written three or four articles with very little overlap.

Kinky Boots is now Off Broadway

A production of Kinky Boots that's very faithful to the one that played Broadway is now Off Broadway, and I reviewed it for the New York Times. Curious? Click here.

A preview of Hulu's The Patient

I talked to the principals behind the new Hulu miniseries The Patient — creators Joel Fields and Joe Weisberg, stars Steve Carell and Domhnall Gleeson — about coming up with that premise, then turning it into a show. The article is here. 

Alienoid

The Korean movie Alienoid, now streaming on Netflix, is totally bonkers, in a good way. Click here for my review.

Lily James

It was really interesting to reconvene with Lily James months after I first talked to her about Pam & Tommy. The show has had quite an impact on the pop-cultural conversation and, as it turns out, on her views on her own career. Click here for the interview.

Joe Hisaishi at Radio City Music Hall

I spoke to the composer Joe Hisaishi about his collaboration with Hayao Miyazaki — Hisaishi will conduct five evenings of his scores at Radio City Music Hall. What a treat! Click here for the article.

A lot of science fiction to stream in August

This month's sci-fi column got a little boost! I did the regular installment, which you can find here, and I also contributed to a roundup featuring one selection each from the Times's genre-streaming columnists — focusing on sci-fi, horror, action and foreign movies. I'm going to brag that my pick was the biggest of all!

Heart

I loved Jade Anouka's in Phyllida Lloyd's Shakespeare trilogy and today I wrote about her solo play, Heart. Click here for the review. 

Tenor Overboard

The Glimmerglass Festival teamed up with Ken Ludwig to create a Rossini jukebox musical. What a brilliant idea! I wrote about how they put it together and gosh, the show sounds so much fun.

Notre Dame de Paris

Arguably the most popular French stage musical after Les Misérables (discuss!) lands in NYC 24 years after it opened in Paris. I wrote a succinct primer about it and the wave of pop musicals that followed in France. Click here for your gateway to epic ballads.

White on White

Only a couple more days to see this terrific show at JACK in Brooklyn, a venue I'd love even if I wasn't able to walk to it from my apartment (and the Good Batch happens to be on the way). Click here for my Critic's Pick review.

July's science-fiction column

This month's batch of streaming sci-fi movies is all over the map — though come to think of, that's pretty much the case every month! The new column is out so dig in!

The Rise and Fall of Jean-Claude Van Damme

The subject line is only part of the (very long) title of Timothy Haskell's latest show, which I reviewed for the Times. Onward with the arts!

Titanique

Titanic is the gift that keeps on giving, and now it's back with more Celine Dion. I mean, back on stage, of course. Thataway for my review of the new musical.

Bodies They Ritual

I really liked Angela Hanks's new play, part of Clubbed Thumb's Summerworks series. It takes place at a Santa Fe resort and introduces a bunch of characters I'd like to know better. Well, maybe not Queen Harvest. Read my Critic's Pick review here.

Mabou Mines

Thrilled to continue my exploration of the East Village's legacy of experimental theater with a look at Mabou Mines, which is celebrating its 50th anniversary (actually 52nd — there was a pandemic-related delay) with a three-day celebration. Click here for the crazy story.

Scott Derrickson's mood board

I've done quite a few mood board for the Times by now, and this new one, with Scott Derrickson, has shot to the top of the heap. You know you want to read it.

The Big Mix

Tina Landau, James Alsop, Joshua Henry and Faith Prince chatted about The Big Mix on Little Island. Now I can't wait to go. Click here for the story.

Mia Yoo and La MaMa

I caught up with Mia Yoo 11 years into her tenure as artistic director at La MaMa. It was enlightening, to say the least. Click here for my story.

Tonys 2022 coverage

And it's a wrap for the 2022 Tonys! I contributed to the New York Times' live coverage (you can catch up with the blow-by-blow here) and to the Best and Worst compilation (which is here). 

June's science-fiction column

I'm proud of how diverse the selection in my science-fiction column has been, and the June installment continues that proud tradition. Click here for the latest batch of five films.

Mr. Parker

I trekked to Theater Row for Michael McKeever's latest, Mr. Parker. We are used to stories about women existing in the shadow of a famous husband; this show looks at a man who is emerging from the shadow a famous man. Click here for the review.

Irma Vep

I talked to Olivier Assayas and Alicia Vikander about their new HBO series, Irma Vep — another installment in a saga with roots in 1915. Read on then stream on! 

Arlekin Players

My latest feature in Arts & Leisure is about Arlekin Players, a small company out of Needham, Mass., that took the pandemic as a challenge to think out of the box — and it strived. Now it's presenting its most ambitious project yet, and I wrote about it.

After Blue (Dirty Paradise)

I am still reeling from Bertrand Mandico's wackadoo western/sci-fi hybrid, which is unlike anything else coming out these days. My review is here.

Fire Island

Summer's back, and with it rom-coms! I was happy to review Fire Island, in which Conrad Ricamora finally got the romantic lead he so richly deserved. Joel Kim Booster, who also wrote the screenplay, is delightful as well. Click here for the review.

California

My latest considers the first entry in Clubbed Thumb's Summerworks series. Click here for my puzzled review.

Golden Shield

I traveled to Manhattan Theater Club to review its new production, Golden Shield. Unfortunately I was not impressed.

Interview with Manuel Garcia-Rulfo

I worked on two stories when I went to Los Angeles earlier this month. One was about American Song Contest on NBC and the other just came out: an interview with Manuel Garcia Rulfo, the star of the new Netflix series The Lincoln Lawyer — as a Michael Connelly fan, I was excited. Click here for our chat.

Eurovision 2022

Once again I was part of the New York Times team covering Eurovision Song Contest live yesterday. It was action-packed, and if you haven't watched — what are you waiting for? You can relive the excitement in this thread.

May's streaming science-fiction movies

There's quite a bit of range in this month's selection, though make sure you don't mix Moonfall and Moonshot, or the Swan Song I talk about with the one starring Udo Kier! Click here for my latest column.

Which Way to the Stage

The characters in Ana Nogueira's play, at MCC, are pretty familiar types but the comedy flies for most of the show. But that landing… My review for the Times is here.

Backstage at American Song Contest

I recently spent a few days in Los Angeles working on a couple of stories. The first one just came out and it's about the NBC show American Song Contest. I am not, generally speaking, a fan of singing competitions but I genuinely love this one. Why? Because it's modeled after the Eurovision Song Contest, which of course I love! (And once again I'll be part of the Times' team covering the final on Saturday.) Watching how the sausage is made backstage was a thrill and you can read about it here.

My second (completely different) L.A. story will be out next week. Watch this space.

The Takedown

After Lupin, Omar Sy pairs up with director Louis Leterrier again for the buddy comedy The Takedown. Unfortunately, both men can do a lot better. My review is here.