I can't say Nathan Englander's debut play is very theatrical -- it's more of a long conversation -- but it's set in a Stalinist prison and that alone goes a long way with me (the Gulag is one of my pet interests). My review's here.
I'm a Brooklyn-based writer/editor specializing in entertainment and outdoors recreation. Past jobs include drama critic/features writer at the New York Post and arts & entertainment editor at Time Out New York.
Why all the French stuff? I am, indeed, from France, and have been living in America for over 25 years.
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