Moving Alan Sillitoe's story from 1950s northern England to 2012 London isn't a bad idea, and neither is changing the hero's race from white to black. It's the execution that's lacking in the new Atlantic 2 production. My review's here.
I'm a Brooklyn-based writer/editor specializing in entertainment and outdoors recreation. Past jobs include drama critic/features writer at the New York Post and arts & entertainment editor at Time Out New York.
Why all the French stuff? I am, indeed, from France, and have been living in America for over 25 years.
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