Theater for a New Audience resurrects Ionesco's semi-obscure The Killer (aka Tueur sans gages). This is the type of play that demands daring European-type staging, which alas isn't what we get. My review's here.
I'm a Brooklyn-based writer/editor specializing in entertainment and outdoors recreation. Past jobs include drama critic/features writer at the New York Post and arts & entertainment editor at Time Out New York.
Why all the French stuff? I am, indeed, from France, and have been living in America for over 25 years.
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