A revival of Thomas Bradshaw's Southern Promises, from 2008, comes at time when playwrights look at slavery with renewed urgency (and often with breathtaking artistic inventiveness). My review is here.
I'm a Brooklyn-based writer/editor specializing in entertainment and outdoors recreation. Past jobs include drama critic/features writer at the New York Post and arts & entertainment editor at Time Out New York.
Why all the French stuff? I am, indeed, from France, and have been living in America for over 25 years.
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