Lucas Hnath's staging is inventive and bold but Mona Pirnot's play and songs just aren't sturdy enough to support it. My review of the New York Theater Workshop production is here.
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Tooting my own horn
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About Me
- Elisabeth Vincentelli
- Brooklyn, NY, United States
- I'm a Brooklyn-based writer/editor specializing in entertainment and outdoors recreation. Past jobs include drama critic/features writer at the New York Post and arts & entertainment editor at Time Out New York. Why all the French stuff? I am, indeed, from France, and have been living in America for over 25 years.
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